There are between 6,500 and 7,000 languages spoken worldwide. Include argots – the characteristic language of a particular group – and that number climbs ginormously.
Ginormous itself is argot, the portmanteau of gigantic and enormous to form a new blended word. It’s also hyperbole: gigantic is no longer deemed huge enough, so we blend and expand.
Groups of people form their own private lexicons because coded language is exclusive, exciting and defiant. Part of it is finding your community: the mystique of being in the “in group” carried over from school; the private joke you have to be in on to find funny. You find your tribe by mimicking the peculiarities of their diction. It creates a sense of belonging, expertise and solidarity.
But it can go beyond that. The coded nature of argot (from the French for slang) can be deliberately subversive because that particular group rejects the status quo, which they find unsatisfactory, unacceptable or oppressive. It can also help conceal criminal activity or frowned-upon behaviour, making it a cryptolect – a secretive language used to confuse and exclude others and affirm the character of a marginalised subculture.
For all those reasons, argot is my favourite part of language: it sits in the forbidden corners, between the gaps, underneath the rigidity of all the rules of grammar. It’s where creativity bubbles and thrives, shrouded by an enigmatic cloak of linguistic abandon.
Often, adopters of argot have common enemies to defy or hide from: traditional conservative society; the law; the police. Defying the authority and perceived supremacy of the dominant forces in society is empowering and essential to avoid detection. It’s why drug dealers and users employ female personification in their trade to euphemise and conceal. So having a dinner party with Tina, Gina and Molly would be less civilised than it sounds: you’d be taking, respectively, crystal meth, GHB and MDMA. Similarly, the patois used in hip-hop was originally used to defy the same enemies, the argot defined by clever puns, rapid rhyming couplets, blink-and-you-miss-it wordplay and don’t-give-a-toss attitude set to an insistent beat.